Label: Dead Oceans
Sometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst's early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes' music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It's a study of the beauty in unsteadiness in all its forms - in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it's just about searching for a way through. Bright Eyes' expansive catalog has traversed genre, sound, and countless players; unpolished demos or fuzzy folk, electrified rock or country twang. The sharp songwriting and musicianship is all anchored in Bright Eyes' singular ability to flip deep intimacy into something universal. For so many, for so long, listening to Bright Eyes has been like hearing yourself in someone else's song - a moment of understanding or illumination, knowing you're on the same team looking for a way to move through of all this shit. And while 2020 is a year of milestones for the band, it's also the year Bright Eyes returns, newly signed to indie label Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Oberst, Mogis, and Walcott reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes' output. For Bright Eyes, this long-awaited re-emergence feels like coming home.